Bart Barendregt
Vice-decaan Onderzoek/ hoogleraar Antropologie van digitale diversiteit
- Naam
- Prof.dr. B.A. Barendregt
- Telefoon
- +31 71 527 3475
- barendregt@fsw.leidenuniv.nl
- ORCID iD
- 0000-0001-9745-9587
Bart Barendregt is hoogleraar Antropologie van de Digitale Diversiteit aan het Instituut voor Culturele Antropologie en Ontwikkelingssociologie van de Universiteit Leiden. Hij is de hoofdonderzoeker van het NWO-VICI project One Among Zeroes |0100|en vice-decaan Onderzoek in het Faculteitsbestuur en decaan van de Graduate School.
Meer informatie over Bart Barendregt
Nieuws
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Universiteit Leiden breidt samenwerking met de Asian Development Bank uit -
Bart Barendregt vice-decaan Onderzoek -
Conferentie over kansen en gevaren van AI: ‘Europa heeft een gedurfde visie nodig’ -
Leidse onderzoekers bezoeken Indonesië tijdens kennismissie -
Universiteit Leiden tekent strategische samenwerking met Asian Development Bank -
Hoe geven we AI een plek? Misschien heeft de islamitische wereld een antwoord -
Bart Barendregt over Unesco Leerstoel Anthropology of Digital Diversity -
Co-creatie met wetenschappers in Indonesië: ‘Misverstanden juichen wij van harte toe’ -
Bart Barendregt ontvangt Vici-beurs voor onderzoek naar Artificial Intelligence in Moslim Zuidoost-Azië -
Universiteit versterkt samenwerking met Indonesië -
Winnaars Bachelor en Master Speckmann-prijzen 2019 -
Radio interview met Bart Barendregt: Online heiligen en bescheiden bloggers -
Onstuitbare verstedelijking Indonesië vereist interdisciplinaire samenwerking -
‘Japan en Leiden liggen toch niet zo ver van elkaar’ -
Delegatie van Universiteit Leiden bezoekt Japan -
Gladde jongens zingen 'Allah akbar'
› Het volledige profiel en al het nieuws en publicaties zijn te vinden op de Engelstalige versie van de profielwebsite van Bart Barendregt.
Vice-decaan Onderzoek/ hoogleraar Antropologie van digitale diversiteit
- Faculteit der Sociale Wetenschappen
- Culturele Antropologie/ Ontw. Sociologie
- Kloos D., Schmidt L., Westmoreland M.R. & Barendregt B. (red.) (2023), Provocative images in contemporary Islam nr. Debates on Islam & Society. Leiden: Leiden University Press.
- Barendregt B. (2023), Desert rhythms and Islamic girl groups: making modern music for the Muslim masses in 1970s Southeast Asia. In: Rashid H. & Petersen K. (red.), The Bloomsbury handbook of Muslims and popular culture. Bloomsbury Handbooks. London: Bloomsbury Publishing. 141-152.
- Wong-A-Foe D., Barendregt B.A. & Lamers M.H. (2023), Exploring AI and islam in Indonesian education: an anthropological inquiry, 2023 international conference on electrical engineering and informatics (ICEEI). International Conference on Electrical Engineering and Informatics 10 oktober 2023 - 11 oktober 2023. 2023 International Conference on Electrical Engineering and Informatics: IEEE. 1-5.
- Barendregt B. (2021), Diverse digital worlds. In: Geismar Haidy & Knox Hannah (red.), Digital Anthropology. London and New York: Routledge. 101-120.
- Grasseni C., Barendregt B.A., Maaker E. de, De Musso F., Littlejohn A.L., Maeckelbergh M.E., Postma M.A. & Westmoreland M.R. (2021), Audiovisual and digital ethnography: a practical and theoretical guide. London: Routledge.
- Barendregt B.A. (2021), Digital ethnography, or 'deep hanging out' in the age of big data. In: Grasseni C., Barendregt B, Maaker E. de, De Musso F., Littlejohn A., Maeckelbergh M., Postma M. & Westmoreland M. (red.), Audiovisual and Digital Ethnography. A Practical and Theoretical Guide. . Oxon; New York: Routledge. 168-190.
- Grasseni C., Barendregt B.A., Maaker E. de, De Musso F., Littlejohn A.L., Maeckelbergh M.E., Postma M.A. & Westmoreland M.R. (2021), Audiovisual and digital ethnography at Leiden. In: Grasseni C., Barendregt B.A., Maaker E. de, De Musso F., Littlejohn A.L., Maeckelbergh M.E., Postma M.A. & Westmoreland M.R. (red.), Audiovisual and Digital Ethnography; A Practical and Theoretical Guide. London: Routledge. 1-11.
- Barendregt B.A. & Schneider F.A. (2020), Digital Activism in Asia: Good, Bad, and Banal Politics Online, Asiascape: Digital Asia 7(1-2): 5-19.
- Slama M. & Barendregt B. (2018), Online Publics in Muslim Southeast Asia: In Between Religious Politics and Popular Pious Practices, Asiascape: Digital Asia 5(1-2): 3-31.
- Hudson C. & Barendregt B. (2018), Global Imaginaries and Performance in Asia. In: Hudson C. & Barendregt B. (red.), Globalization and Modernity in Asia , Performative Moments. Amsterdam: Amsterdam University Press. 11-27.
- Barendregt B. (2018), An Islamist Flash Mob in the Streets of Shah Alam, Unstable Genres for Precarious Times. In: Hudson C. & Barendregt B. (red.), Globalization and Modernity in Asia , Performative Moments. Amsterdam: Amsterdam University Press. 169-194.
- Hudson C. & Barendregt B. (red.) (2018), Globalization and Modernity in Asia, Performative Moments. Amsterdam: Amsterdam University Press.
- De Beurs E. & Barendregt M. (2017), Behandeluitkomsten: bron voor kwaliteitsbeleid in de GGZ. Amsterdam: Boom Uitgevers.
- Barendregt B., Keppy P. & Schulte Nordholt H. (2017), Banal Beats, Muted Histories; Popular Music in Southeast Asia. Amsterdam: Amsterdam University Press.
- Weintraub A.N. & Barendregt B. (2017), Re-Vamping Asia; Women, Music, and Modernity in Comparative Perspective. In: Weintraub A.N. & Barendregt B. (red.), Vamping the Stage, Female Voices of Asian Modernities. Honolulu: University of Hawai'i Press. 1-39.
- Barendregt B. (2017), Princess Siti and the Particularities of Post-Islamist Pop. In: Weintraub A.N. & Barendregt B. (red.), Vamping the Stage, Female Voices of Asian Modernities. Honolulu: University of Hawai'i Press. 211-233.
- Barendregt B. (2017), Deep Hanging Out in the Age of the Digital; Contemporary Ways of Doing Online and Offline Ethnography, Asiascape: Digital Asia 4(3): 307-319.
- Barendregt B. (8 november 2017), The Digital Sound of Southeast Asian Islam. [blog].
- Weintraub A.N. & Barendregt B. (red.) (2017), Vamping the Stage, Female Voices of Asian Modernities. Honolulu: University of Hawai'i Press.
- Anoniem (2016), Merenungkan Gema, Perjumpaan Musikal Indonesia-Belanda [Merenungkan Gema: Menyimak Warisan Musik Indonesia-Belanda] (vertaling Barendregt B.A. & Bogaerts E.M.). In: Barendregt B.A. & Bogaerts E.M. (red.), Merenungkan Gema: Menyimak Warisan Musik Indonesia-Belanda. Jakarta: KITLV & Yayasan Pustaka Obor. 1-36.
- Barendregt B.A. & Bogaerts E.M. (2016), Merenungkan Gema: Menyimak Warisan Musik Indonesia-Belanda. Jakarta: KITLV & Yayasan Pustaka Obor.
- Barendregt B. & Hudson C. (2016), Islam's got Talent [Islam's got Talent] (vertaling Barendregt B. & Hudson C.). In: Martin F. & Lewis T. (red.), Lifestyle Media in Asia: Consumption, Aspiration and Identity. Abingdon Oxon: Routledge. 176-190.
- Barendregt B. (2015), Dara Puspita: Rockin' the Roaring Sixties in Indonesia. In: Shatanawi M. & Modest W. (red.), The Sixties: A Worldwide Happening. Amsterdam: Lecturis & Tropenmuseum. 42-53.
- Barendregt B. (2014), Sonic histories in a Southeast Asian context. In: Barendregt B. (red.), Sonic Modernities: Popular Music in the Malay World. Leiden: Brill. 1-44.
- Barendregt B. & Bogaerts E. (2014), Recollecting Resonances: Listening to an Indonesian-Dutch Musical Heritage. In: Barendregt B. & Bogaerts E. (red.), Recollecting Resonances: Indonesian - Dutch Musical Encounters. Leiden: Brill. 1-30.
- Barendregt B. & Jaffe R. (2014), Tropical Spa Cultures and the Face of a New Asian Beauty. In: Barendregt B. & Jaffe R. (red.), Green Consumption: The Global Rise of Eco-Chic. London: Bloomsbury. 145-163.
- Barendregt B. & Jaffe R. (2014), The paradoxes of eco-chic . In: Barendregt B. & Jaffe R. (red.), Green Consumption: The Global Rise of Eco-Chic. London: Bloomsburry. 1-16.
- Barendregt B. & Bogaerts E. (red.) (2014), Recollecting Resonances: Indonesian Dutch Musical Encounters. Leiden: Brill.
- Barendregt B. (red.) (2014), Sonic Modernities in the Malay World. Leiden: Brill.
- Barendregt B. & Jaffe R. (red.) (2014), Green consumption: The global rise of eco-chic. London: Bloomsbury.
- Steijlen F. & Barendregt B.A. (2014), Emerging voices from Southeast Asia: Seeing a region in its documentary films, The Newsletter 68: 19-21.
- Barendregt B. (2012), Diverse Digital Worlds. In: Horst H.A. & Miller D. (red.), Digital Anthropology. Oxford: Berg. 309-340.
- Barendregt B. (2012), Sonic discourses on Muslim Malay modernity: The Arqam sound, Contemporary Islam 6(3): 315-340.
- Barendregt B. (2011), Pop, Politics and Piety: Nasyid Boy band Music in Muslim Southeast Asia. In: Weintraub A.N. (red.), Islam and popular culture in Indonesia and Malaysia. London: Routledge. 235-256.
- Barendregt B. (2011), Tropical Spa Cultures, Eco-chic, and the Complexities of New Asianism. In: Gelman Taylor J. & Dijk K. (red.), Cleanliness and culture: Indonesian histories. Leiden: KITLV Press. 159-192.
- Barendregt B. & Zanten W. van (2011), Popular music in Indonesia; Mass-mediated Fusion, Indie and Islamic music since 1998. In: Langlois T. (red.), Non-Western Popular Music (The Library of Essays on Popular Music). Farnham, England / Burlington, USA: Ashgate. 389-435.
- Barendregt B. (2011), Modes of Communication: Web representations and Blogs: Indonesia. In: Joseph S. (red.), Encyclopedia of women & Islamic cultures. Leiden: Brill Online.
- Barendregt B. (2010), In the year 2020; Muslim futurities in Southeast Asia or the religiously inspired Information Society. In: Universiteit Leiden (red.), The Asiascape collection: Essays in the exploration of cyberAsia. Leiden: Modern East Asia Research Centre, Leiden University.. 44-50.
- Barendregt B. (2009), Mobile Religiosity in Indonesia; Mobilized Islam, Islamized Mobility and the potential of Islamic techno nationalism. In: Alampay E. (red.), Living the information society in Asia. Singapore: Singapore: Institute of Southeast Asian Studies.. 73-92.
- Barendregt B. (2009), In the year 2020; Muslim futurities in Southeast Asia or the religiously inspired Information Society, IIAS Newsletter (Special Issue, The Asia-Pacific War 60 Years On: History and Memory) (50): 26-27.
- Barendregt B. (2008), Sex, cannibals and the language of cool: Indonesian tales of phone and the modernity, Information Society 24(3): 160-170.
- Barendregt B. (2008), Batanghari sembilan: Cultural landscapes, centres and underground streams in the Southern Sumatran Highlands. In: Santen J. van (red.), Development in Place: Perspectives and challenges. Amsterdam: Aksant. 350-376.
- Barendregt B. & Wessing R. (2008), Centred on the source: Hamlets and houses of Kanekes (Baduy). In: Schefold R. & et al. (red.), Indonesian houses; Survey of vernacular architecture in western Indonesia. Leiden: KITLV Press. 551-596.
- Barendregt B. (2008), Introduction: A glimpse of a future Indonesia. In: Djumini T. (red.), Indonesian dreams: Reflections on society, revelations of the self / Cermimam masyarakat, pembukaan diri. Jakarta: KITLV Press.
- Barendregt B. & Pertierra R. (2008), Supernatural mobile communication in the Philippines and Indonesia. In: Katz J. (red.), Handbook of Mobile Communications Studies. Cambridge Massachusetts: MIT Press. 377-388.
- Barendregt B. (2008), The house that was built overnight. Guidelines on the construction and use of the southern Sumatran rumah uluan. In: Schefold R. & et al. (red.), Indonesian houses; Survey of vernacular architecture in western Indonesia. Leiden: KITLV Press. 429-464.
- Barendregt B., Rich, Asian and all-natural. Inside Indonesia. [blog].
- Barendregt B., New directions: A series of articles on popular culture and the arts, editorial to theme issue performing arts and popular culture, ten years after 1998. Inside Indonesia. [blog].
- Barendregt B. (2008), The sound of Islam: Southeast Asian boybands, ISIM Review 22: 24-25.
- Barendregt B. (2007), Generasi Jempol ( the finger top generation): Mobile modernities in contemporary Java. DVD (32 minutes). Leiden, Yogyakarta: Institute of social and cultural studies. [film].
- Barendregt B. (2007), The art of seduction: Ritual courtship, performing prostitutes and erotic entertainment, IIAS Newsletter (Special Issue, The Asia-Pacific War 60 Years On: History and Memory) 40(1): 4-5.
- Barendregt B. (2006), A supernatural topography of the Southern Sumatran Highlands, Crossroads 18(1): 113-126.
- Barendregt B. (2006), Mobile modernities in contemporary Indonesia: Stories from the other side of the digital divide. In: Schulte Nordholt H. & Hoogenboom I. (red.), Indonesian transitions. Yogyakarta: Pustaka Pelajar. 327-347.
- Barendregt B. (2006), Cyber-Nasyid: Transnational soundscapes in Muslim Southeast Asia. In: Holden T. & Scrase T. (red.), Medi@asia: Communication, culture, context. London: Routledge. 171-187.
- Barendregt B. (28 november 2006), Between M-Governance and mobile anarchies. [blog].
- Barendregt B. (2006), The art of no-seduction: Muslim boy-band music in Southeast Asia and the fear of the female voice, IIAS Newsletter (Special Issue, The Asia-Pacific War 60 Years On: History and Memory) 40 (10)(March 2006): .
- Barendregt B. (2006), Hoe een Islamitische toekomst klinkt: Zuidoost Aziatische popmuziek en het gebruik van de nieuwe media, ZemZem. Tijdschrift over het Midden-Oosten, Noord-Afrika en islam 4: 89-93.
- Barendregt B. (red.) (2005), Indonesië op een kruispunt: Onderzoek en hedendaagse trends. Leiden: Dep. CA/OS.
- Barendregt B. (7 september 2005), From the realm of many rivers: Memory, places and notions of home in the Southern Sumatran Highlands (Dissertatie, Leiden University). Leiden. Promotor(en): Schefold R. & Wessing R.
- Barendregt B. & Wessing R. (2005), Tending the spirit's shrine: Kanekes and Pajajaran in West Java, Moussons 8(6): 3-26.
- Barendregt B. (2003), Architecture on the move: Processes of migration and mobility in the South Sumatran highlands. In: Schefold R., Nas P.J.M. & Domenig G. (red.), Indonesian Houses. Volume 1: Tradition and transformation in vernacular architecture. Leiden: KITLV Press. 99-132.
- Barendregt B. & Wessing R. (2003), Encountering the authentic: The 'creation' of the Baduy of Banten, West Java, Sundalana 1(1): 85-116.
- Barendregt B.A. (2003), Hanyuik Sarantau, Minangkabau dance theatre. CD. [audio].
- Barendregt B. (2002), Representing the ancient other: Complex stone configurations in some present day Sumatran cultures, : .
- Barendregt B. (2002), The sound of "longing for home": Redefining a sense of community through Minang popular musics, : .
- Barendregt B.A. (2002), The sound of longing for home; Redefining a sense of community through Minang popular musics, Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 158(3): 411-451.
- Barendregt B.A. (2002), Representing the ancient other, Indonesia and the Malay World 30(88): 277-308.
- Barendregt B. & Zanten W. van (2002), Popular music in Indonesia since 1998, in particular fusion, Indie and Islamic music on video compact discs and the internet, Yearbook for traditional music 34: 67-113.
- Barendregt B. (2001), Popular music in Indonesia: Media, power structures, and shifting identities. Rio de Janeiro, Brasil: 36th World Conference of the ICTM. [overig].
- Zanten W. van & Barendregt B. (2000), Told in heaven to become stories on earth: A study of change in Randai theatre of the Minangkabau in West Sumatra using visual documentation from the 1930s + Documentation book. Leiden: Inst. Soc. & Cult. Stud. & Intern. Inst. for Asian studies.
- Barendregt B.A., The World of Music 41(3): 171-175.
- Barendregt B.A. & Wessing R. (1999), Traditional Houses in Western Indonesia, IIAS Newsletter (Special Issue, The Asia-Pacific War 60 Years On: History and Memory) (20): .
- Barendregt B.A. (1995), Written by the hand of Allah; Pencak silat of Minangkabau, West Sumatra. In: Zanten W. van & Roon M. van (red.), Oideion; The performing arts world-wide 2 113-130.
- Editor-in-Chief
- UNESCO Chair Anthropology of Digital Diversity
- external advisor / member commitee
- Secretary