Wim Tigges
Gastmedewerker
- Naam
- Dr. W. Tigges
- Telefoon
- +31 71 527 2727
- w.tigges@hum.leidenuniv.nl
- ORCID iD
- 0000-0001-6350-4132
Wim Tigges is gastmedewerker bij het Leiden University Centre for the Arts in Society.
Meer informatie over Wim Tigges
Gastmedewerker
- Faculteit der Geesteswetenschappen
- Centre for the Arts in Society
- Oude Britse letterkunde
- Noordwal C. & Tigges W. (red.) (2024), Intra Nos: een familieroman. Den Haag: Wim Tigges.
- Noordwal C. & Tigges W. (red.) (2024), Vrouwenlevens: drie novellen en een kort verhaal door Cornélie Noordwal. Den Haag: Wim Tigges.
- Reyneke van Stuwe J. & Tigges W. (red.) (2024), Hartstocht: oorspronkelijke Haagse roman. Den Haag: Wim Tigges.
- Tigges W. (2023), Cornélie Noordwal: De vergeten romans van een Haagse schrijfster. Hilversum: Verloren.
- Tigges W. (2022), Leeg en zonder ziel : Den Haag in de romans van rond 1900, Haagse historie (23): 6-11.
- Tigges W. (2022), "Hunted Down": Charles Dickens en Thomas Wainewright, The Dutch Dickensian XXXXIV(98): 6-17.
- Tigges W. (2021), Have Went and Flat Adverbs Once Again -- Irish Style?. In: Caon L., Elenbaas M. & Grijzenhout J. (red.), Language Use, Usage Guides and Linguistic Norms. Newcastle Upon Tyne: Cambridge Scholars Publishing. 145-154.
- Tigges W. (2021), Verspilling van vermogen?: Moed gevraagd bij de zoveelste vertaling van Shakespeares sonnetten, Filter: Tijdschrift voor vertalen & vertaalwetenschap (30 juli 2021): 5.
- Tigges W. (19 oktober 2021), Haagse woonkamers rond 1900. De Haagse tijden, Woonspecial: 6-7.
- Tigges W. (2021), Dickens in Amerika: American Notes, The Dutch Dickensian XXXXII(No.96): 6-17.
- Tigges W. (2021), Dickens en cribbage, The Dutch Dickensian XXXXIII(97): 3-15.
- Tigges W. (2019), Hartstocht achter de horren: Haagse romans rond 1900. Den Haag: De Nieuwe Haagsche.
- Tigges W. (2018), Lost in Austen: A Postmodern Reanimation of Pride and Prejudice, Persuasions: The Jane Austen Journal On-Line 39(1): .
- Tigges W. (2017), A Woman Like You? Emma Peel, Xena: Warrior Princess, and the Empowerment of Female Heroes of the Silver Screen, Journal of Popular Culture 50(1): 127-146.
- Tigges W. (2017), Cornélie Noordwals Joodse romans en het antisemitisme rond 1900, Nieuw letterkundig magazijn XXXV(2): 26-32.
- Tigges W. (2017), Prosody as Field of Play: A Neglected Issue in the Translation of Nonsense Verse. In: Schulte Nordholt A. & Smith P.J. (red.), Jeux de mots - enjeux littéraires, de Francois Rabelais à Richard Millet. Leiden: Brill. 220-240.
- Tigges W. (2015), A Bard's eye view: Narrative mediation in Xena: Warrior Princess, Cogent Arts & Humanities 2: 1-12.
- Tigges W. (2015), Perspectives on Pooh: Literary Theory and the Pleasure of Reading. The Hague: W. Tigges via lulu.com.
- Tigges W. (2015), Tochmarc Étaíne: an Old Irish Narrative. The Hague: Tigges, W..
- Tigges W. (2015), Nonsense in the Netherlands, Bookbird: A Journal of International Children's Literature 53(3): 9-19.
- Tigges W. (2015), Cults, Cant, and Converts: An Ideological Issue in Xena: Warrior Princess, The Journal of Religion and Popular Culture 27(1): 71-84.
- Tigges W. (2014), "Precise Impressions Scrupulously Conveyed": Visual Artistry in Edwin Mullhouse, Image & Narrative 15(3): 50-61.
- Tigges W. (2014), 'Bespottelijk toch, die maatschappij': De tragi-komische romans van Cornélie Noordwal, Nieuw Letterkundig Magazijn (jaargang xxxii, nr 1, mei 2014): 1-9.
- Tigges W. (2014), Cornélie Noordwal: een vergeten schrijfster met Dickensiaanse trekjes, The Dutch Dickensian (Vol. XXXIV, No 85): 119-33.
- Tigges W. (2014), De stad, het meisje, en de dood: Charles Dickens' The Old Curiosity Shop, Rozenberg Quarterly : the Magazine : .
- Tigges W. (2014), De stad, het meisje, en de dood: Charles Dickens' The Old Curiosity Shop, Rozenberg Quarterly : the Magazine : .
- Tigges W. (2013), 'Forget me Not': The Performance of Memory in Xena: Warrior Princess. In: Plate L. & Smelik A. (red.), Performing Memory in Art and Popular Culture. New York & Abingdon: Routledge. 170-184.
- Tigges W. (2013), Edward Lear's Limericks and the Aesthetics of Nonsense, Rivista di Studi Vittoriani XVII-XVIII(34-35): 119-138.
- Tigges W. (2011), Mister Pip: Een navertelling zonder opsmuk. In: Houppermans J.J.M., Jacobs J.G.A.M. & Kruk R. (red.), Déjà vu -- Herhaling in culturen wereldwijd. Leiden: Leiden University Press. 273-294.
- Tigges W. (2010), "When Found, Make a Note Of": Dickens in Detail, The Dutch Dickensian XXX(70): 22-33.
- Tigges W. (2010), A Feminist Mirage of the New Life: Utopian Elements in The Story of an African Farm. Corporaal M. & Leeuwen E.J. van (red.), The Literary Utopias of Cultural Communities, 1790-1910. . Amsterdam & New York: Rodopi. 189-208.
- Tigges W. (2010), Xena Rules: A Feminized Version of Antony and Cleopatra, Feminist Media Studies 10(4): 441-455.
- Tigges W. (2009), Alfred Tennyson en de Klassieken, Amphora 28(6): 11-13.
- Tigges W. (2008), "I Have Many Skills". Additional Papers on Xena: Warrior Princess. Leiden: W. Tigges (via lulu.com).
- Tigges W. (2007), "Her Courage Will Change the World": An Appraisal of Xena: Warrior Princess. NN: Lulu.
- Tigges W. (2007), Strandjutters, zeeschuimers en parelvissers in de Stille Zuidzee. Kruk R. & Houppermans J.M.M. (red.), De Zee, de Zee in literaturen wereldwijd. . Amsterdam: Rozenberg. 177-202.
- Tigges W. (2007), Benjamin Disraeli, flamboyant politicus en bellettrist, Armada: tijdschrift voor wereldliteratuur 13(46): 19-28.
- Tigges W. (2006), An Old Irish Primer. Nijmegen: Stichting Uitgeverij De Keltische Draak.
- Tigges W. (2005), Lamheid en ontnuchtering in James Joyces Dubliners. In: Kruk R. & Houppermans S. (red.), Een vis in een fles raki: Literatuur en Drank in verschillende Culturen. Amsterdam: Rozenberg Publishers. 31-55.
- Tigges W. (2005), Facing the Truth: Two Belfast Novels. Tinkler-Villani V. (red.), Babylon or New Jerusalem: Perceptions of the City in Literature. . Amsterdam/New York: Rodopi. 179-193.
- Tigges W. (2003), Het estheticistisch-anarchistisch verzet van Oscar Wilde. In: Houppermans S., Kruk R. & Maier H. (red.), Rapsoden & Rebellen. Literatuur en politiek in verschillende culturen. Amsterdam: Rozenberg Publishers. 149-166.
- Tigges W. (2003), A Glorious Thing: The Byronic Hero as Pirate Chief. In: D'haen T.L., Liebregts P.T.M.G. & Tigges W. (red.), Configuring Romanticism. Amsterdam: Rodopi. 153-172.
- D'haen T.L., Liebregts P.T.M.G. & Tigges W. (red.) (2003), Configuring Romanticism. Amsterdam: Rodopi.
- Tigges W. (2002), Aantekeningen. In: , Twee Balladen (S.T. Coleridge, De ballade van de oude zeeman; Oscar Wilde, De ballade van Reading Gaol. Amsterdam: Athenaeum - Polak & van Gennep. 147-155.
- Tigges W. (2002), Inleiding. In: , Twee Balladen (S.T. Coleridge, De ballade van de oude zeeman; Oscar Wilde, De ballade van Reading Gaol. Amsterdam: Athenaeum - Polak & van Gennep. 7-37.
- Tigges W. (2001), White Peacocks in a Waste Land: A Reading of Crome Yellow. Barfoot C.C. (red.), Aldous Huxley between East and West. . Amsterdam: Rodopi. 19-33.
- Tigges W. (2001), Litriocht as Gaeilge: Het Iers en de moderne Ierstalige literatuur, Bzzletin (276): 33-45.
- Tigges W. (1999), Confusion is not an Ignoble Condition: Other Languages in Brian Friel's Translations. In: Hoenselaars T. & Buning M. (red.), English Literature and the Other Languages. Amsterdam/Atlanta: Rodopi. 197-210.
- Tigges W. (1999), The Significance of Trivial Things: Towards a Typology of Literary Epiphanies. In: Tigges W. (red.), Moments of Moment: Aspects of the Literary Epiphany. Amsterdam/Atlanta: Rodopi. 11-35.
- Tigges W. (1999), Alfred Tennyson, In Memoriam. Den Haag: Direct Dutch Publications.
- Tigges W. (1999), Heir of All the Ages: Tennyson between Romanticism, Victorianism and Modernism. Barfoot C.C. (red.), Victorian Keats and Romantic Carlyle: The Fusions and Confusions of Literary Periods. . Amsterdam/Atlanta: Rodopi. 307-322.
- Tigges W. (red.) (1999), Moments of Moment: Aspects of the Literary Epiphany. Amsterdam/Atlanta: Rodopi.
- Tigges W. (1999) Beckett and Beckett. Bespreking van: Buning M. (1999), Beckett versus Beckett. Amsterdam/Atlanta: Rodopi. Het Beckett Blad 16: 9-10.
- Tigges W. (1999), Which was the latest moon? An Annotation to Tennyson's In Memoriam, Victorian Poetry 37: 539-545.
- Tigges W. (1998), Varieties of Hiberno-English in Literary Texts. In: Barfoot C.C. & Wurff W. van der (red.), Varieties of English. Leiden: Universiteit Leiden, vakgroep Engels.
- Tigges W. (1998), Buitensporige belevenissen: H.G. Wells en het laat-Victoriaanse avonturenverhaal. In: Houppermans S., Idema W.L. & Kruk R. (red.), Op avontuur! Aspecten van avonturenverhalen in Oost en West. Zutphen: De Walburgpers. 120-137.
- Tigges W. (1998), James Joyce, Mme Raphael, Danis Rose, and the Fallacy of First Draft Authority, James Joyce Quarterly 35/4+36/1: 834-840.
- Tigges W. (1997), The Buke of the Chess and the Medieval Game. In: Buuren C. van (red.), The Buke of the Chess. Edinburgh: The Scottish Text Society. xcv-cix.
- Tigges W. (1997) Beckett On and On ... Bespreking van: Oppenheim L. (1997), Beckett On and On. Madison/Teaneck: Fairleigh Dickinson Univ.Press. Het Beckett Blad 12: 15-16.
- Liebregts P.T.M.G. & Tigges W. (red.) (1996), Beauty and the Beast: Christina Rossetti, Walter Pater, R.L. Stevenson and Their Contemporaries. Amsterdam/Atlanta: Rodopi.
- Tigges W. (1996), Leaves or Letters? A Crux in Tennyson's In Memoriam, Victorian Poetry 34: 279-282.
- Tigges W. (1995), Public, private and poetic: Wolf Tone's autobiographical writings. In: Leerssen J., Weel J. van der & Westerweel B. (red.), Forging in the smithy: National identity and representation in Anglo-Irish literature. Amsterdam/Atlanta: Rodopi. 59-74.
- Tigges W. (1995), The split personality and other Gothic elements in David Lindsay's A voyage to Arcturus. In: Tinkler-Villani V. & Davidson P. (red.), Exhibited by candlelight. Sources and developments in the Gothic tradition. Amsterdam/Atlanta: Rodopi. 243-254.
- Tigges W. (1995), Nonsense bij Dickens, The Dutch Dickensian 15: 8-17.
- Tigges W. (1995), Morgenrood van een magiër: William Butler Yeats. In: Schipper M. & Schrijvers P. (red.), Bezweren en betoveren. Magie en literatuur wereldwijd. Amsterdam: Ambo. 175-189.
- Tigges W. (1994), Snakes and Ladders: Ambiguity and Coherence in the Exeter Book Riddles. Aertsen H. & Bremmer R.H. Jr (red.), Companion to Old English Poetry. . Amsterdam: VU University Press. 95-118.
- Tigges W. (1994), Grote verwachtingen, Arabian Humanities 157(8): 607-610.
- Tigges W. (1994), "Kandiedadelijk, iedereen!": goddelijke humor in Finnegans Wake, Bzzletin (229): 86-94.
- Tigges W. (1993), Alexander Pope, De Roof van de Lok, een komisch heldendicht, vertaald door Wim Tigges. Leiden: Academic Press Leiden.
- Tigges W. (1993), Catholic Diabolists: Fin de Siècle and Edwardian Parody, File. A literary journal 2(5): 25-32.
- Tigges W. (1992), "An Analogue for Bloom's Mythical Potato" and "A Source for 'old fish . . . young flesh' (U 8.867), James Joyce Quarterly 29(4): 846-847.
- Tigges W. (1992), "Lat the Womman Telle Hire Tale": A Reading of The Wife of Bath's Tale, English Studies 73: 97-103.
- Tigges W. (1991), Positive and Negative in Formal British English: A Point of Modern English Usage. Tieken-Boon van Ostade I. & Frankis J. (red.), Language: Usage and Description. Studies presented to N.E. Osselton on the Occasion of his Retirement. . Amsterdam: Rodopi. 111-120.
- Tigges W. (1991), "Earthquakes Never Occur in England", or: "Perhaps I Can Help?": The Ambivalence of the Revolutionary in Herbert Read's The Green Child. Barfoot C.C. & D'haen Th. (red.), Tropes of Revolution: Writers' Reactions to Real and Imagined Revolutions 1789-1989. . Amsterdam: Rodopi. 379-390.
- Tigges W. (1991), Signs and Solutions: A Semiotic Approach to the Exeter Book Riddles. Kooper E. (red.), This Noble Craft ... : Proceedings of the Xth Research Symposium of the Dutch and Belgian University Teachers of Old and Middle English Historical Linguistics. . Amsterdam: Rodopi. 59-82.
- Tigges W. (1991), Doodgaan is de kunst. Een interpretatie van Vestdijks 'De uiterste seconde', Vestdijkkroniek 71(juni): 53-59.
- Tigges W. (1990), Romance and Parody. In: Aertsen H. & MacDonald A.A. (red.), Companion to Middle English Romance. Amsterdam: Amsterdam VU University Press. 129-151.
- Tigges W. (1990), Translating "The Rape of the Lock": The Battle, the Strategy, and the Tactics. Barfoot C.C. & D'haen Th. (red.), Centennial Hauntings: Pope, Byron and Eliot in the Year 88. . Amsterdam: Rodopi. 141-160.
- Tigges W. (1989), Ireland in Wonderland: Flann O'Brien's The Third Policeman as a Nonsense Novel. Barfoot C.C. & D'haen Th. (red.), The Clash of Ireland: Literary Contrasts and Connections. . Amsterdam: Rodopi. 195-203.
- Tigges W. (1988), Alice in Spiegelland. In: Couprie L.D., Madou M.J.H., Brederoo N.J. & Nauta G.J. (red.), Oog in oog met de spiegel. Amsterdam: Aramith. 259-271.
- Tigges W. (1988), The Fox and the Wolf: A Study in Medieval Irony. In: Veldhoen N.H.G.E. & Aertsen H. (red.), Companion to Early Middle English Literature. Amsterdam: VU University Press. 83-95.
- Tigges W. (1988), The Land of Cokaygne: Sophisticated Mirth. In: Veldhoen N.H.G.E. & Aertsen H. (red.), Companion to Early Middle English Literature. Amsterdam: VU University Press. 97-104.
- Tigges W. (28 april 1988), An Anatomy of Literary Nonsense (Dissertatie, Leiden University). Amsterdam: Rodopi. Promotor(en): Steinmetz H.
- Tigges W. (1988), Sir Eglamour: The Knight Who Could Not Say 'No', Atelier du Centre de Recherches Historiques 72(1): 107-115.
- Tigges W. (red.) (1987), Explorations in the Field of Nonsense. Amsterdam: Rodopi.
- Tigges W. (1986), The Limerick: The Sonnet of Nonsense?, Dutch Quarterly Review Studies in Literature 16(3): 220-236.
- Tigges W. (1986), An Anatomy of Nonsense, Dutch Quarterly Review Studies in Literature 16(3): 162-185.
- Tigges W. (1983), Samuel Johnson, De geschiedenis van Rasselas, Prins van Abessynië, vert. W. Tigges. Utrecht: Het Spectrum.
- Tigges W. (1981), Sir Thomas Malory, De Morte Darthur, vertaald door Wim Tigges. Utrecht: Het Spectrum.
- Tigges W. & Buddingh' C. (1978), Babbels en krabbels van Edward Lear (vert. W. Tigges & C. Buddingh'). Utrecht: Het Spectrum.