Universiteit Leiden

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Richard Barrett

Hoogleraar Research in Creative Music

Naam
Prof.dr. R.J. Barrett
Telefoon
+31 71 527 2727
E-mail
r.j.barrett@kunsten.leidenuniv.nl

Richard Barrett is hoogleraar Research in Creative Music aan de Academy of Creative and Performing Arts (ACPA).

Meer informatie over Richard Barrett

Meer informatie is beschikbaar op de Engelstalige pagina

Hoogleraar Research in Creative Music

  • Faculteit der Geesteswetenschappen
  • Academie der Kunsten

Werkadres

P.J. Veth
Nonnensteeg 1-3
2311 VJ Leiden

Contact

  • Barett R.J. (2024), Composition: distant music ominously nearing (natural causes III): for clarinet, horn, percussion and piano (16’). [overig]. Overig
  • Barrett R.J. (2024), The Empire of Lights, khasma & stirrings. Cikada Ensemble . CD: Challenge Records. [audio]. Digitale of (audio)visuele producten
  • Barrett R.J. (2024), Composition: distant music ominously nearing (natural causes III): for clarinet, horn, percussion and piano (16’). [overig]. Overig
  • Barrett R (2024), artefact: electronic music in 8 channels. [overig]. Overig
  • Barrett R (2024), absences: composition for violin and percussion. [overig]. Overig
  • Barrett R (2024), sorcerer: composition for electric pedal steel guitar. [overig]. Overig
  • Barrett R.J. (2023), Transforming moments. Chipping Norton: Vision Edition. Boek
  • Barrett R.J., Allbee L., Gratkowski F., Uchihashi K., Kaufmann A., Joode W. de & Buck T. (2023), Spectra & affrays. SKEIN. CD: Klanggalerie. [audio]. Digitale of (audio)visuele producten
  • Barrett R.J. (2023), composition: tomorrow, for flute and ensemble (20’). [overig]. Overig
  • Barrett R.J. & Gilonis H. (2023), composition: codex XXV – seasonal words for improvising ensemble (17’). [overig]. Overig
  • Barrett R.J. & Howard S. (2023), codex XXIV: for improvising ensemble (16’). [overig]. Overig
  • Barrett R.J. & Howard S. (2023), Composition: natural causes: act 2 for ensemble and electronics (40’). [overig]. Overig
  • Barrett R.J. (2023), Composition: outsider: electronic music (8’). [overig]. Overig
  • Barrett R (2023), Transforming Moments. London: Vision Edition. Boek
  • Barrett R.J. (2022), The composition of promise. In: Craenen P. (red.), The promise of music. Antwerp: Garant. Boekdeel
  • Barrett R.J., New inputs. Research Catalogue. [webartikel]. Web publicatie
  • Barrett R.J. (2022), Composition: pēktis for solo harp (+ voice) (9’). [overig]. Overig
  • Barrett R.J. & Howard S. (2022), Composition: until you are that ghost (natural causes XIII) for flute, clarinet and soprano (8’). [overig]. Overig
  • Barrett R.J. (2022), Composition: skew for no-input mixing board (15’). [overig]. Overig
  • Barrett R.J. (2022), composition: after – improvisation for solo cello, electronic sounds and 3 or more instruments (15’). [overig]. Overig
  • Barrett R.J. (2022), Composition: imprints for 3 soloists (playing phaistos, vinča, linear-A, see below) with electric lap steel guitar, violin and cello (6’). [overig]. Overig
  • Barrett R.J. & Howard S. (2022), heard shadows & watched voices (natural causes XV) for solo performer (violin/voice/movement) and electronic sounds (16’). [overig]. Overig
  • Barrett R.J. (2022), Composition:all night invisibility flickers on & off visibly (natural causes VI) for soprano saxophone and electronic keyboard (8’). [overig]. Overig
  • Barrett R.J. (2022), Composition: splinter for contrabass (8). [overig]. Overig
  • Barrett R.J. (Senarist) (2022), World-line korte film (ELISION Ensemble). [film]. Digitale of (audio)visuele producten
  • Parker E. & Barrett R.J. (2021), 2001. MP3. [audio]. Digitale of (audio)visuele producten
  • Barrett R.J., Buckley D., Grahovac I., Freedman L., La Berge A. & Le Q.N. (2021), Binary systems. MP3. [audio]. Digitale of (audio)visuele producten
  • Barrett R.J., A year in the life of the Sonology Electroacoustic Ensemble. https://www.researchcatalogue.net/. [webartikel]. Web publicatie
  • Barrett R.J. (2020), Memories of UPIC 1989-2019. In: Weibel P., Brümmer L. & Kanach S. (red.), From Xenakis’s UPIC to Graphic Notation Today. Kalsruhe: ZKM. Boekdeel
  • Barrett R.J. (2020), Strange lines and distances. MP3: strangestrings.bandcamp.com. [audio]. Digitale of (audio)visuele producten
  • Barrett R.J. & Zarić M. (2020), Mirage. MP3: strangestrings.bandcamp.com. [audio]. Digitale of (audio)visuele producten
  • Barrett R.J. & Obermayer P. (2020), message. FURT. MP3: furtlogic.bandcamp.com. [audio]. Digitale of (audio)visuele producten
  • Barrett R.J. & Obermayer P. (2020), Accident & Emergency. FURT: furtlogic.bandcamp.com. [audio]. Digitale of (audio)visuele producten
  • Barrett R.J. (2019), Music of Possibility. Chipping Norton: Vision Edition. Boek
  • Barrett R.J. (2019), Michael Finnissy’s alongside. In: Pace I. & McBride N. (red.), Critical Perspectives on the Music of Michael Finnissy : Bright Futures, Dark Pasts. London: Routledge. Boekdeel
  • Barrett R.J. & Obermayer P. (2019), sink (recorded 1993). . [audio]. Digitale of (audio)visuele producten
  • Barrett R.J. (2019), world-line. ELISION Ensemble. MP3: HCR. [audio]. Digitale of (audio)visuele producten
  • Barrett R.J. (2019), interference. MP3. Montréal: QB. [audio]. Digitale of (audio)visuele producten
  • Barrett R.J. & Obermayer P. (2018), function. FURT. MP3: furtlogic.bandcamp.com. [audio]. Digitale of (audio)visuele producten
  • Barrett R.J. & Obermayer P. (2018), homunculi (recorded 1992-93): furtlogic.bandcamp.com. [audio]. Digitale of (audio)visuele producten
  • Barrett R.J. & Obermayer P. (2018), what[?]/why[?] (recorded 1994). FURT. MP3: furtlogic.bandcamp.com. [audio]. Digitale of (audio)visuele producten
  • Barrett R.J. & Obermayer P. (2018), furt logic one (recorded 1987-89). FURT. MP3. furtlogic.bandcamp.com. [audio]. Digitale of (audio)visuele producten
  • Barrett R.J. & Obermayer P. (2018), The Details. FURT. MP3: furtlogic.bandcamp.com. [audio]. Digitale of (audio)visuele producten
  • Barrett R.J. (25 september 2017), Music of Possibility (Dissertatie. School of Music, Faculty of Arts, Humanities and Cultures, Leeds University). Promotor(en) en copromotor(en): Dr Michael Spencer, Dr Martin Iddon. Dissertatie
  • Geen relevante nevenwerkzaamheden
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