Joep Bor
Emeritus hoogleraar niet-westerse uitvoerende kunsten
- Naam
- Prof.dr. J. Bor
- Telefoon
- +31 71 527 1480
- j.bor@inter.nl.net
Joep Bor is Emeritus Hoogleraar niet-westerse uitvoerende kunsten aan de Academie der Kunsten.
Emeritus hoogleraar niet-westerse uitvoerende kunsten
- Faculteit der Geesteswetenschappen
- Academie der Kunsten
- Bor J. & Harvey J. (2017), Bespreking van: Magriel N. & Perron L. du (2013), The Songs of Khayal. New Delhi: Manohar Publishers. Asian Music. Journal of the Society of Asian Music 48(1): 117-120.
- Bor J. (2015), ‘Journeys to the West, and Journeys to the East [International conference 'Contre-culture dans les arts indiens', Musée du Quai Branly, Paris, 28-29 May 2015]. .
- Bor J. (2014), Pinaki. In: Libin L. (red.), The Grove Dictionary of Musical Instruments. Oxford and New York: Oxford University Press. 110-111.
- Bor J. (2014), Ravanahasta. In: Libin L. (red.), The Grove Dictionary of Musical Instruments. Oxford and New York: Oxford University Press. 229-230.
- Bor J., Sorrell N., Helffer M. & Magriel N. (2014), Sarangi. In: Libin L. (red.), The Grove Dictionary of Musical Instruments. Oxford and New York: Oxford University Press. 383-387.
- Bor J., Baily J. & Dick A. (2014), Sarinda. In: Libin L. (red.), The Grove Dictionary of Musical Instruments. Oxford and New York: Oxford University Press. 387-388.
- Bor J. (2014), Klaus Ebeling Donates Unique Ragamala Slide Collection, South Asia Program : 14-15.
- Bor J. (2014), Europe’s Bayadères Craze [Round table 'Women Music Makers in India', SEM (Society for Ethnomusicology) Annual Meeting, Pittsburg, 13-16 November 2014]. .
- Bor J. (2014), Voluptuous Bayadères or Dancing Whores? On Praise and Contempt for Courtesans in Early Colonial India [International conference 'Censorship and Women Resistance in the Performing Arts', EHESS, Paris, 22-23 May 2014]. .
- Bor J., Harvey J., Nalini D.F. & Nijenhuis E. (2013), Hindustani Music: Thirteenth to Twentieth Centuries. New Delhi: Manohar Publishers.
- Bor J. (2013), On the Dancers or Devadasis: Jacob Haafner’s Account of the Eighteenth-Century Indian Temple Dancers. In: Kouwenhoven F. & Kippen J. (red.), Music, Dance and the Art of Seduction. Delft: Eburon. 233-60, 356-65, 415-421.
- Bor J. (2012), Rotterdam World Music (read by Philippe Bruguière) [International conference 'De la Danse de Shiva à la World Music', Paris, 29-30 May 2012]. .