Anna Scott
Assistant Professor
- Name
- Dr. A.M. Scott
- Telephone
- +31 71 527 5038
- a.m.scott@kunsten.leidenuniv.nl
- ORCID iD
- 0000-0003-3176-0339
Dr. Anna Scott is a Canadian pianist-researcher who specializes in 19th-century musical performance practices, with a broader interest in radical alternatives to, and the wider cultural-political significance of, how we currently play, hear, and understand canonic classical music repertoires and composers. An active pianist known for her startling performances of 19th-century solo, chamber, lied and orchestral repertoires ranging from Schubert to Debussy, Anna also supervises several ongoing practice-led PhD projects at Leiden University’s Academy of Creative and Performing Arts (ACPA), including but not limited to projects dealing with early recordings, historical performance, performance change over time, and radical performance alternatives.
News
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Doesn’t Play Well with Others: Performance and Embodiment in Brahms’s Chamber Music with Piano -
Anna Scott named inaugural artist-in-residence at University of Surrey -
ACPA Joint PhD Session- Archives -
Pianism in the Long Nineteenth Century -
Anna Scott's research mentioned on Private Passions on BBC Radio 3
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Dr. Anna Scott keynote speaker at SYMPOSIUM – CORRECT, BUT NOT BEAUTIFUL PERFORMANCE -
Anna Scott delivered keynote lecture-recital at Birmingham Conservatoire (UK)
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Jed Wentz and Anna Scott re-enforce ACPA-team
Assistant Professor
- Faculty of Humanities
- Academie der Kunsten
- Scott A (2024), Creative processes in recreating early recordings. In: Volioti G & Barolsky D (Eds.), Recorded Music in Creative Practices: Mediation, Performance, Education. London: Routledge. 87-104.
- Craenen P.C.A., Toksöz Fairbairn K., Scott A.M., Tunca S.A. & Wentz J.A. (2022), Roundtable: the artist-researcher inside out: Strategies, methodologies, refractions, European Drama and Performance Studies 2(19): 97-108 (10).
- Scott A.M. (2022), Doesn't Play Well With Others: Performance and Embodiment in Brahms's Chamber Music with Piano. In: Grimes N. & Phillips R. (Eds.), Rethinking Brahms: Oxford University Press.
- Scott A.M. & Miles G. (2021), Solo recording of piano works by Brahms and Schumann: Recorded at YourSonics Rijswijk, in collaboration with audio engineer and producer Geoff Miles. [audio].
- Scott A.M. (2019), Artistic Research and the DocArtes Doctoral Programme in the Musical Arts. . TivoliVredenburg: Utrecht Early Music Festival.
- Scott A.M. (2019), Doesn’t Play Well With Others: The Politics of 19th-Century Performance Style. ACPA Conferentie: Is This Thing On? The Public Dimensions of Artistic Research 10 October 2019 - 11 October 2019. Koninklijk Conservatorium Den Haag: Leiden University Academy of Creative and Performing Arts.
- Scott A.M. (2019), Doesn’t Play Well With Others: The Politics of 19th-Century Performance Style. . Fontys School of Fine and Performing Arts Tilburg.
- Scott A.M., Stam E., Stam W., Berkhemer J., Ovcharova R. & Miles G. (2019), Title should read: Brahms Chamber Works for Piano and Strings (Studio Recording). MP3. Scheveningen. [audio].
- Scott A.M., Stam E., Stam W., Berkhemer J., Ovcharova R. & Miles G. (2019), Brahms Chamber Works for Piano and Strings (Public Concert). MP3. Uilenburger Synagogue Amsterdam: Mokum Symphony. [audio].
- Scott A.M. (2017), Brahms Solo and Chamber works. Amsterdam: Uilenburger Synagogue. [audio].
- Scott A.M. & Gloor V. (2015), Brahms and Debussy Lieder (with tenor Valentin Gloor). Gent: ORCiM Research Festival. [audio].
- Scott A.M. (2015), Schubert's Die Schöne Müllerin. Affoltern am Albis, Switzerland: Kellertheater La Marotte. [audio].
- Scott A.M. (2015), Romanticizing Brahms: Experiments in Early-Recorded Brahms Pianism [CHASE Symposium on Performing Brahms in the 21st Century, Leeds, UK, June 30 - July 2, 2015]. .
- Scott A.M. (11 December 2014), Romanticizing Brahms: Early Recordings and the [De]Construction of Brahmsian Identity (Dissertatie. Academy of Creative and Performing Arts (ACPA), Humanities, Leiden University). Supervisor(s): Ruiter F.C. & Leech - WIlkinson D.
- Scott A.M. (2014), Changing Sounds, Changing Meanings: How Artistic Experimentation Opens Up the Field of Brahms Performance Practice. In: Crispin D. & Gilmore B. (Eds.), Artistic Experimentation in Music: An Anthology. Leuven: Leuven University Press.
- Scott A.M. (2014), Solo Brahms works. Voorburg: Huygensmuseum Hofwijk. [audio].
- Scott A.M. (2014), Johannes Brahms's Late Piano Works. CD. Den Haag. [audio].
- Scott A.M. (Ed.) (2014), Editorial committee member: Artistic Experimentation in Music: An Anthology (Darla Crispin and Bob Gilmore, eds,). Leuven: Leuven University Press.
- Scott A.M. (2013), Sound Drifts: The Phenomenon of Stylistic Change in the Interpretation of Fixed Texts. In: Assis P. de, Brooks W. & Coessens K. (Eds.), Sound and Score: Essays on Sound, Score, and Notation. Leuven: Leuven University Press.
- Scott A.M. (2013), Brahms and Schumann Lieder. RealAudio. Gent: ORCiM Academy, Orpheus Instituut. [audio].
- Scott A.M. (2013), Experimenting with Sounding Historical Traces and the Unraveling of Brahmsian Identities [ORCiM Research Festival, Orpheus Instituut, Ghent, Belgium, October 2-4, 2013]. .
- Scott A.M. (2012), Reinterpreting Michael Musgrave and Bernard D. Sherman's Performing Brahms: Early Evidence of Performance Style, New Sound (37): 75-79.
- Scott A.M. (2012), Review of: Peres Da Costa N. (2012), Off the Record: Performing Practices in Romantic Piano Playing. Oxford: Oxford University Press. Context - Journal of Music Research (37): 145-149.