Research output

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  Dissertation Dutch Grammar in Japanese Words

  • Humanities
    • Centre for Linguistics
    • Graduate School for Humanities
• Dissertation The intertopian mode in the depiction of Turkey-originated migrants in European film

  • Humanities
    • Institute for Area Studies
    • Turkish Studies

• 

  Dissertation A history of East Baltic through language contact

  • Humanities
    • Centre for Linguistics
    • Historical and Comparative Linguistics

• 

  Dissertation Hello, who is this? The relationship between linguistic and speaker- dependent information in the acoustics of consonants

  • Humanities
    • Centre for Linguistics

• 

  Dissertation Verfransing onder de loep

  • Humanities
    • Centre for Linguistics

• 

  Dissertation News in a Glasshouse: Media, Publics, and Senses of Belonging in the Dutch Caribbean

  • Humanities
    • Centre for Linguistics

• 

  Dissertation Like dust on the Silk Road: an investigation of the earliest Iranian loanwords and of possible BMAC borrowings in Tocharian

  • Humanities
    • Centre for Linguistics

• 

  Dissertation A grammar of Ashéninka (Ucayali-Pajonal)

  • Humanities
    • Centre for Linguistics

• 

  Dissertation The “White Dialect” of young Arabic speakers from Qassim (Saudi Arabia)

  • Humanities
    • Centre for Linguistics

• 

  Dissertation The historical development of the Dutch posture-verb progressive construction

  • Humanities
    • Centre for Linguistics

• 

  Dissertation Resistance against the Achaemenid Empire: The Egyptian Rebellions of 521 and 487/86 BC

  • Humanities
    • Institute for Area Studies
    • Assyriology

• 

  Dissertation Life of Phi: Phi-features in West Germanic and the syntax-morphology interface

  • Humanities
    • Centre for Linguistics

• 

  Dissertation Mongol Loyalty Networks

  • Humanities
    • Institute for Area Studies
    • Iranian and Central Asian Studies

• 

  Dissertation From oscillations to language

  • Humanities
    • Centre for Linguistics

• 

  Dissertation Re-inventing the nineteenth-century tools of unprescribed modifications of rhythm and tempo in performances of Brahms’s symphonies and concertos

  • Humanities
    • Academy of Creative and Performing Arts