Linnea Semmerling
Assistant professor
- Name
- Dr. L. Semmerling
- Telephone
- +31 71 527 5041
- l.semmerling@hum.leidenuniv.nl
- ORCID iD
- null
Linnea Semmerling is a university lecturer at the Academy of Creative and Performing Arts.
Assistant professor
- Faculty of Humanities
- Academie der Kunsten
- Semmerling L., Schneider S., Jansen G. & Holthausen A. (Eds.) (2023), Conrad Schnitzler: „Manchmal artet es in Musik aus. Cologne: Walther König.
- Semmerling L. & Schneider S. (2023), When Finished Products Become Set Pieces: An Approach to Conrad Schnitzler’s Intermedia Work. In: : Semmerling L., Schneider S., Jansen G. & Holthausen A. (Eds.), Conrad Schnitzler: „Manchmal artet es in Musik aus”. Cologne: Walther König. 33-80.
- Dreckmann K., Vomberg E. & Semmerling L. (Eds.) (2023), Fringe of the Fringe: Queering Punk Media History. Berlin. Berlin: Hatje Cantz.
- Semmerling L. (2023), When Finished Products Become Set Pieces: An Approach to Conrad Schnitzler’s Intermedia Work. In: Semmerling L., Schneider S., Jansen G. & Holthausen A. (Eds.), Conrad Schnitzler: „Manchmal artet es in Musik aus”. Cologne: Walther König.
- Semmerling L. (2023), Listening in on the Silences of a Noisy Archive: Distribution as an Archival Practice at the Inter Media Art Institute. In: Dreckmann K., Vomberg E. & Semmerling L. (Eds.), Fringe of the Fringe: Queering Punk Media History 2207-221.
- Semmerling L. (2023), “No returns for dislike”: how music videos and video art entered the living room in the 1980s. In: Dreckmann K. & Vomberg E. (Eds.), More Than Illustrated Music: Aesthetics of Hybrid Media between Pop, Art and Video. New York: Bloomsbury. 59-72.
- Semmerling L. (30 April 2020), Listening on display: exhibiting sounding artworks 1960s-now (Dissertatie, Technology and Society Studies, Maastricht University). Maastricht: Maastricht University. Supervisor(s): Bijsterveld K. & Peters P.
- Semmerling L. (2019), ‘Hearing is a condition that we aspire to’ – on the work of Samson Young – Reflections #12, Metropolis M 2: 20-23.
- Semmerling L. (2019), Wie der Klang den Glaskasten eroberte: zur Ausstellbarkeit von Klangkunst. In: Elben G. (Ed.), Marler Medienkunstpreise 2018. Cologne: Wienand.
- Semmerling L. (2019), Shhh…! In Search of the White Cube’s Soundtrack. In: Weibel P. (Ed.), Sound Art: Sound as a Medium of Art. Cambridge, MA: MIT Press.
- Semmerling L. (2018), Explorative Listening: a phenomenological approach to sounding artworks at museums, Leonardo Electronic Almanac 22(3): .
- Semmerling L., Peters P. & Bijsterveld K. (2018), Staging the kinetic: how music automata sensitise audiences to sound art, Organised Sound: an international journal of music and technology 23(3): 235-245.
- Semmerling L. (2017), Sing a song: gedurfde geluidskunst, Metropolis M 5: 68-75.
- Semmerling L. & Schwingeler S. (2017), Ryoji Ikeda: micro | macro, Kunstforum International 273: 140-143.
- Director