Fernanda Korovsky Moura
Guest
- Name
- Dr. F. Korovsky Moura
- Telephone
- +31 71 527 2727
- f.korovsky.moura@hum.leidenuniv.nl
- ORCID iD
- 0000-0002-2384-5255
I am a postdoctoral researcher at Leiden University Centre for the Arts in Society (LUCAS) in Dr. Kirsty Rolfe's project "Early modern English literature and the politics of annotation". In my PhD, I studied productions of Shakespeare's "Richard II" on the 19th-century London stage. In my postdoctoral research, I look at annotated editions of "Richard II". My areas of research include Theatre Historiography, Shakespeare in the 19th century, 18th- and 19th-century English literature, Romanticism, Medievalism.
Fields of interest
- Theatre Historiography;
- Shakespeare in the 19th century;
- 18th- and 19th-century English literature;
- Romanticism;
- Medievalism
CV
- 2018-2021 PhD at Leiden University in cotutelle with the Federal University of Santa Catarina
- 2016-2017 ResMA Literary Studies (cum laude) at Leiden University
- 2015-2016 MA English Language and Literature at the Federal University of Santa Catarina
- 2011-2014 BA English and Portuguese Languages and Literatures at the Technological Federal University of Paraná
- 2008-2011 BA Communication and Advertising at Positivo University
Grants and awards
LExS Platinum Award - Leiden University (2016-2017)
Guest
- Faculty of Humanities
- Centre for the Arts in Society
- Oude Nederlandse L&C
Postdoc
- Faculty of Humanities
- Centre for the Arts in Society
- Oude Britse letterkunde
- Korovsky Moura F. (21 June 2023), Farewell, king!: staging the Middle Ages in nineteenth-century London performances of Shakespeare's "Richard II" (Dissertatie. Leiden University Centre for the Arts in Society (LUCAS), Faculty of Humanities, Leiden University). Supervisor(s) and Co-supervisor(s): Anrooij W. van & O'Shea J.R., Newton M.S.
- Korovsky Moura F. (7 September 2021), Double-voiced medievalism? The Middle Ages in the Modern World: Why do we keep going back to the Middle Ages? Why do we create both idealised and grotesque representations of the medieval past in popular culture?. Leiden Medievalists Blog. [blog entry].
- Korovsky Moura F. (2020), Dion Boucicault’s Robert Emmet?: the question of authorship and the season premiere at the McVicker's Theatre, Chicago, on November 5, 1884, Ilha do Desterro 73(2): 127-136.
- Korovsky Moura F. (17 September 2020), Looking at the Past: The Task of the Theatre Historian. Leiden Arts in Society Blog. [blog entry].
- Korovsky Moura F. (2019), The King is Dead, Long Live the King: Shakespeare's "Richard II" and its early stage history, Scripta Uniandrade 17(3): 125-140.
- Korovsky Moura F. (2019), Medievalism and the Gothic discourse in Walter Scott's "Ivanhoe". In: Sá D.S. de & Copetti R.Z. (Eds.), O Gótico em Literatura, Artes, Mídia: Ensaios em inglês e português. São Paulo: Rafael Copetti Editor.
- Moura F.K. (2018), The Poet as a Lover: Oscar Wilde's 'The Garden of Eros', Revista Estação Literária 20: 25-36.
- Moura F.K. & Almeida R.C. de (2017), A Aparição do Fantástico em Guy de Maupassant, Revista Scripta Uniandrade 15(2): 75-87.
- Moura F.K. (2017), O Rei Artur Através dos Séculos: Uma Trajetória das Lendas Arturianas, Revista Entrelaces 1(10): 22-34.
- Korovsky Moura F. (2016), Charles Macready’s King John: Victorian Theatre and Double-voiced Medievalism, Dramaturgias 1(1): 118-127.
- Korovsky Moura F. (2015), Female Subversiveness in Sense and Sensibility: An analysis of the character Marianne Dashwood, Revista Versalete 3(4): 301-318.